The eyes. The aberrant ears. The golden fingers and toes. By now, the details of Daniel Roseberry’s ode to Schiaparelli are better known to the masses, thanks in large part to Beyoncé’s avant-garde Grammy’s look earlier this year, with its “Beetlejuice”-esque earrings and black leather opera gloves tipped in gold. Since signing on as artistic director to the brand in 2019, Roseberry has deftly reintroduced both inner fashion circles and the masses to the wonderful, wacky world of Elsa Schiaparelli, the Italian fashion designer who was once Coco Chanel’s rival and helped to usher in the truly modern fashion of the 20th century. For spring ’22, Roseberry continued with the surrealist codes he’s established as the new Schiaparelli. But this time, he took them to new places, imagining what his visionary predecessor might have worn in her own private life. “Who was she when she stepped off the stage, when she was alone, away from the glittering Parisian demimonde?” wonders Roseberry in